Artistic and Intellectual Practices in Contemporary China [electronic resource] : China as an Issue / edited by Carol Yinghua Lu.
Erişim Adresi
ISBN
9789819988150
Dil Kodu
İngilizce
Yer Numarası
EK/3160
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
XI, 317 p. 6 illus., 2 illus. in color. online resource.
İçindekiler Notu
Part 1: Other Histories of Chinese Art after 1949 -- Section 1 Continuity -- Chapter 1: Chinese Art in the 1950s: An Avant-Garde Undercurrent Beneath the Mainstream of Realism Shao Dazhen -- Chapter 2: A Review of Artistic Practices from 1972 to 1982 Liu Ding, Carol Yinghua Lu -- Chapter 3: Painting in China After the Cultural Revolution: Style Developments and Theoretical Debates Hans van Dijk -- Chapter 4: The Market as Imaginary in Post Mao China Jane Debevoise -- Chapter 5: Prophecy at the Turn of the 1990s Carol Yinghua Lu -- Section 2 Frame of Mind -- Chapter 6: Somewhere (and Nowhere) Between Modernity and Tradition: Toward a Discursive Polylogue between Differing Interpretative Perspectives on Contemporary Chinese Art Paul Gladston -- Chapter 7: The Authenticity and the Neutrality of Value: on the Issue of Value in the Writings of Contemporary Art History Zou Yuejin -- Chapter 8: The More Homogeneous, Pure and Clear the History, the More Dangerous It Is Luo Xin -- Part 2: Expanses and Limitation -- Section 1 Universality -- Chapter 9: What is Asia? - On Anthropological Difference Naoki Sakai -- Chapter 10: Creating New Universality Sun Ge -- Chapter 11: Pull Universality Down From the Alter of Being Singular Naoki Sakai, Sun Ge -- Section 2 Particularity -- Chapter 12: On the Founding of The Scholar Journal Wang Hui -- Chapter 13: Some Tendencies in Small-Scale Art Publishing in Asia Lim Kyung-yong -- Chapter 14: Self-Publishing as a Method Lim Kyung-yong, Carol Yinghua Lu -- Section 3 Self-Criticism -- Chapter 15: How We Deal With the Virus Determines What It Is Xiao Yin -- Chapter 16: China, On the Verge of a "Momentous Era" Wang Xiaoming -- Chapter 17: Bringing Back "Self-Criticism" Hong Zicheng.
Özet, vb.
The edited book elevates a chorus of voices from domestic and international intellectuals, artists, curators, and historians in a dialogue that reframes Chinese art from 1949 to the present. Part I offers critical academic complications of the story of Chinese art from the 1950s to the present as one singularly defined and stifled by political revolution. It traces important continuities and early examples of contemporary art practice to the Party’s birth and consolidation of power from the 1920s onwards. It relates the formation of contemporary art to the historical course of intellectual practice in China from 1949. Part II proposes China as an “issue” requiring historical interrogation rather than an inviolable entity. It questions the efficacy of “Asia” as a term, presents case studies of independent publishers that challenged tightly crafted historical narratives, and wraps up with incisive reflections on the challenges confronting creatives and historians in China today. With chapters ranging from peer-reviewed scholarship to cuttingly humorous personal anecdotes, its contributing authors give rare, first-hand accounts of navigating pertinent historical and current situations, including censorship, China’s il/liberalism, and COVID-19. This book offers readers an ear to heretofore closed-door conversations in leading modern and contemporary art spaces. Carol Yinghua LU was born in 1977 in Chaozhou, Guangdong. LU is an art historian and a curator. She received her Phd degree in art history from the University of Melbourne in 2020. She is the director of Beijing Inside-Out Art Museum.
Konu
Art, Modern __ 21st century.
Literature, Modern __ 20th century.
Literature, Modern __ 21st century.
China __ History.
Contemporary Art.
Contemporary Literature.
Twentieth-Century Literature.
History of China.
Literature, Modern __ 20th century.
Literature, Modern __ 21st century.
China __ History.
Contemporary Art.
Contemporary Literature.
Twentieth-Century Literature.
History of China.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
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505 0 |aPart 1: Other Histories of Chinese Art after 1949 -- Section 1 Continuity -- Chapter 1: Chinese Art in the 1950s: An Avant-Garde Undercurrent Beneath the Mainstream of Realism Shao Dazhen -- Chapter 2: A Review of Artistic Practices from 1972 to 1982 Liu Ding, Carol Yinghua Lu -- Chapter 3: Painting in China After the Cultural Revolution: Style Developments and Theoretical Debates Hans van Dijk -- Chapter 4: The Market as Imaginary in Post Mao China Jane Debevoise -- Chapter 5: Prophecy at the Turn of the 1990s Carol Yinghua Lu -- Section 2 Frame of Mind -- Chapter 6: Somewhere (and Nowhere) Between Modernity and Tradition: Toward a Discursive Polylogue between Differing Interpretative Perspectives on Contemporary Chinese Art Paul Gladston -- Chapter 7: The Authenticity and the Neutrality of Value: on the Issue of Value in the Writings of Contemporary Art History Zou Yuejin -- Chapter 8: The More Homogeneous, Pure and Clear the History, the More Dangerous It Is Luo Xin -- Part 2: Expanses and Limitation -- Section 1 Universality -- Chapter 9: What is Asia? - On Anthropological Difference Naoki Sakai -- Chapter 10: Creating New Universality Sun Ge -- Chapter 11: Pull Universality Down From the Alter of Being Singular Naoki Sakai, Sun Ge -- Section 2 Particularity -- Chapter 12: On the Founding of The Scholar Journal Wang Hui -- Chapter 13: Some Tendencies in Small-Scale Art Publishing in Asia Lim Kyung-yong -- Chapter 14: Self-Publishing as a Method Lim Kyung-yong, Carol Yinghua Lu -- Section 3 Self-Criticism -- Chapter 15: How We Deal With the Virus Determines What It Is Xiao Yin -- Chapter 16: China, On the Verge of a "Momentous Era" Wang Xiaoming -- Chapter 17: Bringing Back "Self-Criticism" Hong Zicheng.
520 |aThe edited book elevates a chorus of voices from domestic and international intellectuals, artists, curators, and historians in a dialogue that reframes Chinese art from 1949 to the present. Part I offers critical academic complications of the story of Chinese art from the 1950s to the present as one singularly defined and stifled by political revolution. It traces important continuities and early examples of contemporary art practice to the Party’s birth and consolidation of power from the 1920s onwards. It relates the formation of contemporary art to the historical course of intellectual practice in China from 1949. Part II proposes China as an “issue” requiring historical interrogation rather than an inviolable entity. It questions the efficacy of “Asia” as a term, presents case studies of independent publishers that challenged tightly crafted historical narratives, and wraps up with incisive reflections on the challenges confronting creatives and historians in China today. With chapters ranging from peer-reviewed scholarship to cuttingly humorous personal anecdotes, its contributing authors give rare, first-hand accounts of navigating pertinent historical and current situations, including censorship, China’s il/liberalism, and COVID-19. This book offers readers an ear to heretofore closed-door conversations in leading modern and contemporary art spaces. Carol Yinghua LU was born in 1977 in Chaozhou, Guangdong. LU is an art historian and a curator. She received her Phd degree in art history from the University of Melbourne in 2020. She is the director of Beijing Inside-Out Art Museum.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aArt, Modern|x21st century.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aChina|xHistory.
650 14|aContemporary Art.
650 24|aContemporary Literature.
650 24|aTwentieth-Century Literature.
650 24|aHistory of China.
700 1 |aLu, Carol Yinghua.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789819988143
776 08|iPrinted edition:|z9789819988167
776 08|iPrinted edition:|z9789819988174
856 40|uhttps://doi.org/10.1007/978-981-99-8815-0
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912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 843015
003 TR_AnAIT
005 20260715031709
007 cr nn 008mamaa
008 250121s2025 si | s |||| 0|eng d
020 |a9789819988150|9978-981-99-8815-0
024 7 |a10.1007/978-981-99-8815-0|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aN6495-6498
072 7|aACXJ|2bicssc
072 7|aART015110|2bisacsh
072 7|aAGA|x3MR|2thema
082 04|a700|223
090 |aEK/3160
245 10|aArtistic and Intellectual Practices in Contemporary China|h[electronic resource] :|bChina as an Issue /|cedited by Carol Yinghua Lu.
250 |a1st ed. 2025.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Palgrave Macmillan,|c2025.
300 |aXI, 317 p. 6 illus., 2 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aPart 1: Other Histories of Chinese Art after 1949 -- Section 1 Continuity -- Chapter 1: Chinese Art in the 1950s: An Avant-Garde Undercurrent Beneath the Mainstream of Realism Shao Dazhen -- Chapter 2: A Review of Artistic Practices from 1972 to 1982 Liu Ding, Carol Yinghua Lu -- Chapter 3: Painting in China After the Cultural Revolution: Style Developments and Theoretical Debates Hans van Dijk -- Chapter 4: The Market as Imaginary in Post Mao China Jane Debevoise -- Chapter 5: Prophecy at the Turn of the 1990s Carol Yinghua Lu -- Section 2 Frame of Mind -- Chapter 6: Somewhere (and Nowhere) Between Modernity and Tradition: Toward a Discursive Polylogue between Differing Interpretative Perspectives on Contemporary Chinese Art Paul Gladston -- Chapter 7: The Authenticity and the Neutrality of Value: on the Issue of Value in the Writings of Contemporary Art History Zou Yuejin -- Chapter 8: The More Homogeneous, Pure and Clear the History, the More Dangerous It Is Luo Xin -- Part 2: Expanses and Limitation -- Section 1 Universality -- Chapter 9: What is Asia? - On Anthropological Difference Naoki Sakai -- Chapter 10: Creating New Universality Sun Ge -- Chapter 11: Pull Universality Down From the Alter of Being Singular Naoki Sakai, Sun Ge -- Section 2 Particularity -- Chapter 12: On the Founding of The Scholar Journal Wang Hui -- Chapter 13: Some Tendencies in Small-Scale Art Publishing in Asia Lim Kyung-yong -- Chapter 14: Self-Publishing as a Method Lim Kyung-yong, Carol Yinghua Lu -- Section 3 Self-Criticism -- Chapter 15: How We Deal With the Virus Determines What It Is Xiao Yin -- Chapter 16: China, On the Verge of a "Momentous Era" Wang Xiaoming -- Chapter 17: Bringing Back "Self-Criticism" Hong Zicheng.
520 |aThe edited book elevates a chorus of voices from domestic and international intellectuals, artists, curators, and historians in a dialogue that reframes Chinese art from 1949 to the present. Part I offers critical academic complications of the story of Chinese art from the 1950s to the present as one singularly defined and stifled by political revolution. It traces important continuities and early examples of contemporary art practice to the Party’s birth and consolidation of power from the 1920s onwards. It relates the formation of contemporary art to the historical course of intellectual practice in China from 1949. Part II proposes China as an “issue” requiring historical interrogation rather than an inviolable entity. It questions the efficacy of “Asia” as a term, presents case studies of independent publishers that challenged tightly crafted historical narratives, and wraps up with incisive reflections on the challenges confronting creatives and historians in China today. With chapters ranging from peer-reviewed scholarship to cuttingly humorous personal anecdotes, its contributing authors give rare, first-hand accounts of navigating pertinent historical and current situations, including censorship, China’s il/liberalism, and COVID-19. This book offers readers an ear to heretofore closed-door conversations in leading modern and contemporary art spaces. Carol Yinghua LU was born in 1977 in Chaozhou, Guangdong. LU is an art historian and a curator. She received her Phd degree in art history from the University of Melbourne in 2020. She is the director of Beijing Inside-Out Art Museum.
532 8 |aAccessibility summary: This PDF does not fully comply with PDF/UA standards, but does feature limited screen reader support, described non-text content (images, graphs), bookmarks for easy navigation and searchable, selectable text. Users of assistive technologies may experience difficulty navigating or interpreting content in this document. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aArt, Modern|x21st century.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aChina|xHistory.
650 14|aContemporary Art.
650 24|aContemporary Literature.
650 24|aTwentieth-Century Literature.
650 24|aHistory of China.
700 1 |aLu, Carol Yinghua.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789819988143
776 08|iPrinted edition:|z9789819988167
776 08|iPrinted edition:|z9789819988174
856 40|uhttps://doi.org/10.1007/978-981-99-8815-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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