Wounded Knights [electronic resource] : Violence, Masculinity, and Medieval Courtly Love / by Alfred Thomas.
Erişim Adresi
ISBN
9783032042613
Dil Kodu
İngilizce
Yer Numarası
EK/6279
Yazar
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
XVI, 256 p. 25 illus., 21 illus. in color. online resource.
Dizi
The New Middle Ages, 2945-5944
İçindekiler Notu
1. Introduction: Violence; Masculinity, and Medieval Courtly Love -- 2. Bad Blood: The Spectral Jew, the Transgressive Woman, and Mimetic Rivalry in Hartmann von Aue’s Der arme Heinrich and Erec -- 3. The Shattered Mirror: Male Subjectivity and Sadomasochism in the Courtly Love Lyrics of Heinrich von Morungen -- 4. The Murderous Mirror: The Love Potion and the Cave of Lovers in Gottfried von Strassburg’s Tristan -- 5. The Saint and the Heretic: Violence and Deviance in the Czech Legend of St Catherine of Alexandria -- 6. Death and the Maiden: Mourning, Melancholy, and Misogyny in Der Ackermann aus Böhmen and Pearl -- 7. The Return of the Medieval Repressed: Violence and Courtly Love in Modern Fiction and Horror Film.
Özet, vb.
This broad-ranging book draws on Freudian and post-Freudian theory to offer a new and original perspective on courtly love from its origins in eleventh-century Occitania to its transformation into conflicting chivalric and courtly discourses in the later Middle Ages. Comparative and transnational in scope, it explores the role of masculinity and violence in the romance, love lyric and saints’ lives written in French, English, German, and Czech between 1200 and 1400. Whereas conventional studies of medieval courtly love have emphasized the positive and idealistic relationship between the knight and the lady, this book highlights the dark side of medieval masculinity and how displaced male violence toward women and male masochism in these texts are transfigured into more explicit violence in modern horror films. Alfred Thomas is Professor of English at University of Illinois at Chicago, USA. His most recently published books include The Czech Legend of St. Catherine of Alexandria: The Text and its Context (2024), Writing Plague: Language and Violence from the Black Death to COVID-19 (2022), The Court of Richard II and Bohemian Culture: Art and Literature in the Age of Chaucer and the Gawain Poet (2020), Shakespeare, Catholicism, and the Middle Ages: Maimed Rights (2018), and Reading Women in Late Medieval Europe: Anne of Bohemia and Chaucer's Female Audience (2015).
Konu
Literature, Medieval.
Literature, Modern __ 19th century.
Comparative literature.
Fiction.
Motion pictures.
Television broadcasting.
Medieval Literature.
Nineteenth-Century Literature.
Comparative Literature.
Fiction Literature.
Film and Television Studies.
Literature, Modern __ 19th century.
Comparative literature.
Fiction.
Motion pictures.
Television broadcasting.
Medieval Literature.
Nineteenth-Century Literature.
Comparative Literature.
Fiction Literature.
Film and Television Studies.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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505 0 |a1. Introduction: Violence; Masculinity, and Medieval Courtly Love -- 2. Bad Blood: The Spectral Jew, the Transgressive Woman, and Mimetic Rivalry in Hartmann von Aue’s Der arme Heinrich and Erec -- 3. The Shattered Mirror: Male Subjectivity and Sadomasochism in the Courtly Love Lyrics of Heinrich von Morungen -- 4. The Murderous Mirror: The Love Potion and the Cave of Lovers in Gottfried von Strassburg’s Tristan -- 5. The Saint and the Heretic: Violence and Deviance in the Czech Legend of St Catherine of Alexandria -- 6. Death and the Maiden: Mourning, Melancholy, and Misogyny in Der Ackermann aus Böhmen and Pearl -- 7. The Return of the Medieval Repressed: Violence and Courtly Love in Modern Fiction and Horror Film.
520 |aThis broad-ranging book draws on Freudian and post-Freudian theory to offer a new and original perspective on courtly love from its origins in eleventh-century Occitania to its transformation into conflicting chivalric and courtly discourses in the later Middle Ages. Comparative and transnational in scope, it explores the role of masculinity and violence in the romance, love lyric and saints’ lives written in French, English, German, and Czech between 1200 and 1400. Whereas conventional studies of medieval courtly love have emphasized the positive and idealistic relationship between the knight and the lady, this book highlights the dark side of medieval masculinity and how displaced male violence toward women and male masochism in these texts are transfigured into more explicit violence in modern horror films. Alfred Thomas is Professor of English at University of Illinois at Chicago, USA. His most recently published books include The Czech Legend of St. Catherine of Alexandria: The Text and its Context (2024), Writing Plague: Language and Violence from the Black Death to COVID-19 (2022), The Court of Richard II and Bohemian Culture: Art and Literature in the Age of Chaucer and the Gawain Poet (2020), Shakespeare, Catholicism, and the Middle Ages: Maimed Rights (2018), and Reading Women in Late Medieval Europe: Anne of Bohemia and Chaucer's Female Audience (2015).
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aLiterature, Medieval.
650 0|aLiterature, Modern|x19th century.
650 0|aComparative literature.
650 0|aFiction.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 14|aMedieval Literature.
650 24|aNineteenth-Century Literature.
650 24|aComparative Literature.
650 24|aFiction Literature.
650 24|aFilm and Television Studies.
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020 |a9783032042613|9978-3-032-04261-3
024 7 |a10.1007/978-3-032-04261-3|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN661-694
072 7|aDSBB|2bicssc
072 7|aLIT011000|2bisacsh
072 7|aDSBB|2thema
082 04|a809.02|223
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100 1 |aThomas, Alfred.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aWounded Knights|h[electronic resource] :|bViolence, Masculinity, and Medieval Courtly Love /|cby Alfred Thomas.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aXVI, 256 p. 25 illus., 21 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bPDF/UA-1|2onix
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aThe New Middle Ages,|x2945-5944
505 0 |a1. Introduction: Violence; Masculinity, and Medieval Courtly Love -- 2. Bad Blood: The Spectral Jew, the Transgressive Woman, and Mimetic Rivalry in Hartmann von Aue’s Der arme Heinrich and Erec -- 3. The Shattered Mirror: Male Subjectivity and Sadomasochism in the Courtly Love Lyrics of Heinrich von Morungen -- 4. The Murderous Mirror: The Love Potion and the Cave of Lovers in Gottfried von Strassburg’s Tristan -- 5. The Saint and the Heretic: Violence and Deviance in the Czech Legend of St Catherine of Alexandria -- 6. Death and the Maiden: Mourning, Melancholy, and Misogyny in Der Ackermann aus Böhmen and Pearl -- 7. The Return of the Medieval Repressed: Violence and Courtly Love in Modern Fiction and Horror Film.
520 |aThis broad-ranging book draws on Freudian and post-Freudian theory to offer a new and original perspective on courtly love from its origins in eleventh-century Occitania to its transformation into conflicting chivalric and courtly discourses in the later Middle Ages. Comparative and transnational in scope, it explores the role of masculinity and violence in the romance, love lyric and saints’ lives written in French, English, German, and Czech between 1200 and 1400. Whereas conventional studies of medieval courtly love have emphasized the positive and idealistic relationship between the knight and the lady, this book highlights the dark side of medieval masculinity and how displaced male violence toward women and male masochism in these texts are transfigured into more explicit violence in modern horror films. Alfred Thomas is Professor of English at University of Illinois at Chicago, USA. His most recently published books include The Czech Legend of St. Catherine of Alexandria: The Text and its Context (2024), Writing Plague: Language and Violence from the Black Death to COVID-19 (2022), The Court of Richard II and Bohemian Culture: Art and Literature in the Age of Chaucer and the Gawain Poet (2020), Shakespeare, Catholicism, and the Middle Ages: Maimed Rights (2018), and Reading Women in Late Medieval Europe: Anne of Bohemia and Chaucer's Female Audience (2015).
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aLiterature, Medieval.
650 0|aLiterature, Modern|x19th century.
650 0|aComparative literature.
650 0|aFiction.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 14|aMedieval Literature.
650 24|aNineteenth-Century Literature.
650 24|aComparative Literature.
650 24|aFiction Literature.
650 24|aFilm and Television Studies.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783032042606
776 08|iPrinted edition:|z9783032042620
776 08|iPrinted edition:|z9783032042637
830 0|aThe New Middle Ages,|x2945-5944
856 40|uhttps://doi.org/10.1007/978-3-032-04261-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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