The Death of the Author and Anticolonial Thought [electronic resource] / by Michael R. Griffiths.
Erişim Adresi
ISBN
9783031809088
Dil Kodu
İngilizce
Yer Numarası
EK/6295
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
IX, 106 p. 1 illus. online resource.
İçindekiler Notu
Chapter 1: With the Intention of Opening Up the Future Decolonial Authorship Before The Death of the Author -- Chapter 2: The Ghost of the Writer Edouard Glissants Poetics of the Whole World -- Chapter 3: An Appetite to Begin Intention and the Political in the Work of Edward Said -- Conclusion : Writing Storytelling Community.
Özet, vb.
“This highly original and thought-provoking study demands that we reconsider the idea of the death of the author from the point of view of some of its sharpest critics from the formerly colonized world. It will permanently change the way we think about authorship and the legacy of empire.” —Anna Bernard, author of Decolonizing Literature "This rich text offers a much-needed reflection on the relation between anticolonial thought and Barthes’ fabled death of the author. Griffiths’ rigorous analyses of literary intention and community in the works of Fanon, Glissant, and Said will doubtlessly stimulate future engagements with these thinkers by experts and students alike." —David Ventura, Department of Philosophy, Newcastle University, UK The Death of the Author and Anticolonial Thought promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account—previously unstudied—of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967. The book is a cultural history of these debates—with a particular focus on two crucial two key case studies, Martinican poet and thinker Édouard Glissant and Palestinian literary and cultural critic Edward Said, this book, then, examines the immediate emergence and intensification of such responses to the postulate of the author’s deathly absence from the text, in order to suggest that metropolitan literary theory drew both critique and engagement from scholars of black, decolonial and Global South background from both before 1967 and Barthes’s declaration and in its wake. This book provides a focused account of the early history of the way global literatures have engaged with, critiqued, and occasionally adopted the lessons and limitations of the poststructuralist critique of that most fetishised and also reviled of figures: the author. Michael Griffiths is Senior Lecturer in English Literatures at the University of Wollongong, Australia. He is the author of The Distribution of Settlement: Appropriation and Refusal in Australian Literature and Culture (2018). His essays have appeared in Textual Practice, Discourse, Postcolonial Studies, Australian Humanities Review and many edited books.
Konu
Poststructuralism.
Literature.
Comparative literature.
Poststructuralism.
World Literature.
Comparative Literature.
Literature.
Comparative literature.
Poststructuralism.
World Literature.
Comparative Literature.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 14|aThe Death of the Author and Anticolonial Thought|h[electronic resource] /|cby Michael R. Griffiths.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aIX, 106 p. 1 illus.|bonline resource.
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338 |aonline resource|bcr|2rdacarrier
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341 0 |bSingle logical reading order|2onix
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341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aChapter 1: With the Intention of Opening Up the Future Decolonial Authorship Before The Death of the Author -- Chapter 2: The Ghost of the Writer Edouard Glissants Poetics of the Whole World -- Chapter 3: An Appetite to Begin Intention and the Political in the Work of Edward Said -- Conclusion : Writing Storytelling Community.
520 |a“This highly original and thought-provoking study demands that we reconsider the idea of the death of the author from the point of view of some of its sharpest critics from the formerly colonized world. It will permanently change the way we think about authorship and the legacy of empire.” —Anna Bernard, author of Decolonizing Literature "This rich text offers a much-needed reflection on the relation between anticolonial thought and Barthes’ fabled death of the author. Griffiths’ rigorous analyses of literary intention and community in the works of Fanon, Glissant, and Said will doubtlessly stimulate future engagements with these thinkers by experts and students alike." —David Ventura, Department of Philosophy, Newcastle University, UK The Death of the Author and Anticolonial Thought promises to transform a decades old debate in literary studies about the relation between structure and agency, form and intention by giving a detailed account—previously unstudied—of the way colonized writers have responded to, learned from, and critiqued the death of the author postulate declared by Roland Barthes in 1967. The book is a cultural history of these debates—with a particular focus on two crucial two key case studies, Martinican poet and thinker Édouard Glissant and Palestinian literary and cultural critic Edward Said, this book, then, examines the immediate emergence and intensification of such responses to the postulate of the author’s deathly absence from the text, in order to suggest that metropolitan literary theory drew both critique and engagement from scholars of black, decolonial and Global South background from both before 1967 and Barthes’s declaration and in its wake. This book provides a focused account of the early history of the way global literatures have engaged with, critiqued, and occasionally adopted the lessons and limitations of the poststructuralist critique of that most fetishised and also reviled of figures: the author. Michael Griffiths is Senior Lecturer in English Literatures at the University of Wollongong, Australia. He is the author of The Distribution of Settlement: Appropriation and Refusal in Australian Literature and Culture (2018). His essays have appeared in Textual Practice, Discourse, Postcolonial Studies, Australian Humanities Review and many edited books.
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532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aPoststructuralism.
650 0|aLiterature.
650 0|aComparative literature.
650 14|aPoststructuralism.
650 24|aWorld Literature.
650 24|aComparative Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031809071
776 08|iPrinted edition:|z9783031809095
776 08|iPrinted edition:|z9783031809101
856 40|uhttps://doi.org/10.1007/978-3-031-80908-8
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