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020 |a9783031919619|9978-3-031-91961-9
024 7 |a10.1007/978-3-031-91961-9|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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100 1 |aJones, Kelly.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aStaging the Ghost Story|h[electronic resource] :|bShadows in the Limelight /|cby Kelly Jones.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aVII, 259 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bPDF/UA-1|2onix
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave Gothic,|x2634-6222
505 0 |aChapter 1: Introduction -- Chapter 2: Time -- Chapter 3: Spaces -- Chapter 4: Performers -- Chapter 5: Devices -- Chapter 6: Audience -- Chapter 7: The Curtain Call.
520 |aStaging the Ghost Story is the first book to offer a critical appraisal of the centuries-long relationship between the ghost story and the English stage. The book balances a critical consideration of the ghost story in performance, its history, its cultural politics, and its generic conventions, with practical insight regarding the valency of live representations of the supernatural, the challenges of embodiment, and the power of storytelling. Throughout, it draws upon accompanying interviews with prominent directors, playwrights, performers and stage designers in the industry, including Mark Gatiss, Robin Herford, Michael Holt, Danny Robins, Robert Lloyd Parry, Rebecca Vaughan, Tajinder Singh Hayer, Glen Neath, Adam Z. Robinson, Richard Sutton, Paul Voodini, and Jonathan Goodwin. With a focus upon the seminal elements of theatrical performance: time, space, bodies, devices, and audience, the book invites the elusive shadows of the ghost story to take centre stage. Kelly Jones is senior lecturer in Drama at the University of Lincoln, UK, where she specialises in theatrical realisations of the supernatural and the Gothic. She is the co-editor of Contemporary Gothic Drama: Attraction, Consummation and Consumption on the Modern British Stage (2018).
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aTheater|xHistory.
650 0|aGoth culture (Subculture).
650 0|aTheater|xProduction and direction.
650 0|aActors.
650 0|aStage management.
650 14|aTheatre History.
650 24|aGothic Studies.
650 24|aTheatre Direction and Production.
650 24|aPerformers and Practitioners.
650 24|aTechnology and Stagecraft.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031919602
776 08|iPrinted edition:|z9783031919626
776 08|iPrinted edition:|z9783031919633
830 0|aPalgrave Gothic,|x2634-6222
856 40|uhttps://doi.org/10.1007/978-3-031-91961-9
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
