The Co-production Landscape in Europe [electronic resource] : From Eurimages to Netflix / by Petar Mitric.
Erişim Adresi
ISBN
9783031923418
Dil Kodu
İngilizce
Yer Numarası
EK/6336
Yazar
Basım Bildirimi
1st ed. 2025.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2025.
Fiziksel Niteleme
XIX, 241 p. 24 illus., 20 illus. in color. online resource.
Dizi
Palgrave European Film and Media Studies, 2634-6168
İçindekiler Notu
Chapter 1: European Co-Production – Because Together Is Better than One -- Chapter 2: Towards an Ideal European Co-Production and Its Audiences -- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field -- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions -- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera -- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production -- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration -- Chapter 8: Conclusion.
Özet, vb.
“Petar Mitric leverages years of desk and field research to provide an original contribution to the understanding of European international co-productions in the era of globalization and platformization. In his book, Mitric wisely relates three key stakeholders (policymakers, practitioners, and the audience) in order to analyze tensions and trends that have characterized co-productions over time. By combining traditional and innovative research tools applied to case studies with an evident personal passion for the topic, that emerges from a very pleasant writing style, Mitric's volume is set to become an essential reference in the emerging field of European media industry studies.” --Associate Professor Marco Cucco, University of Bologna, Italy This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab. .
Konu
Motion picture plays, European.
Motion picture industry.
Television broadcasting.
Motion pictures __ Production and direction.
European Film and TV.
Film and Television Industry.
Film and Television Production.
Motion picture industry.
Television broadcasting.
Motion pictures __ Production and direction.
European Film and TV.
Film and Television Industry.
Film and Television Production.
Kurum Adı
Eseri Alıntıla
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Dijital Kaynak
MARC Görünümü
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520 |a “Petar Mitric leverages years of desk and field research to provide an original contribution to the understanding of European international co-productions in the era of globalization and platformization. In his book, Mitric wisely relates three key stakeholders (policymakers, practitioners, and the audience) in order to analyze tensions and trends that have characterized co-productions over time. By combining traditional and innovative research tools applied to case studies with an evident personal passion for the topic, that emerges from a very pleasant writing style, Mitric's volume is set to become an essential reference in the emerging field of European media industry studies.” --Associate Professor Marco Cucco, University of Bologna, Italy This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab. .
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650 0|aMotion picture industry.
650 0|aTelevision broadcasting.
650 0|aMotion pictures|xProduction and direction.
650 14|aEuropean Film and TV.
650 24|aFilm and Television Industry.
650 24|aFilm and Television Production.
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245 14|aThe Co-production Landscape in Europe|h[electronic resource] :|bFrom Eurimages to Netflix /|cby Petar Mitric.
250 |a1st ed. 2025.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2025.
300 |aXIX, 241 p. 24 illus., 20 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
341 0 |bPDF/UA-1|2onix
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
490 1 |aPalgrave European Film and Media Studies,|x2634-6168
505 0 |aChapter 1: European Co-Production – Because Together Is Better than One -- Chapter 2: Towards an Ideal European Co-Production and Its Audiences -- Chapter 3: From Borders to Bridges: Eurimages and the Rise of European Co-Production Field -- Chapter 4:Architects of Collaboration: The Role of Public Film Funds in European Co-Productions -- Chapter 5: Navigating the Labyrinth of European Co-Production: Voices from Behind the Camera -- Chapter 6: From Vision to Viewer: Audience Design in European Co-Production -- Chapter 7: Co-Producing in the Netflix Age: Balancing Independence and Collaboration -- Chapter 8: Conclusion.
520 |a “Petar Mitric leverages years of desk and field research to provide an original contribution to the understanding of European international co-productions in the era of globalization and platformization. In his book, Mitric wisely relates three key stakeholders (policymakers, practitioners, and the audience) in order to analyze tensions and trends that have characterized co-productions over time. By combining traditional and innovative research tools applied to case studies with an evident personal passion for the topic, that emerges from a very pleasant writing style, Mitric's volume is set to become an essential reference in the emerging field of European media industry studies.” --Associate Professor Marco Cucco, University of Bologna, Italy This book explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film i Väst and TorinoFilmLab. .
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aMotion picture plays, European.
650 0|aMotion picture industry.
650 0|aTelevision broadcasting.
650 0|aMotion pictures|xProduction and direction.
650 14|aEuropean Film and TV.
650 24|aFilm and Television Industry.
650 24|aFilm and Television Production.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031923401
776 08|iPrinted edition:|z9783031923425
776 08|iPrinted edition:|z9783031923432
830 0|aPalgrave European Film and Media Studies,|x2634-6168
856 40|uhttps://doi.org/10.1007/978-3-031-92341-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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