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020 |a9789819645817|9978-981-96-4581-7
024 7 |a10.1007/978-981-96-4581-7|2doi
041 |aeng
049 |aTürk Dil Kurumu Kütüphanesi
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100 1 |aLi, Jun.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 12|aA Transcultural History of Art|h[electronic resource] :|bOn Images and Their Doubles /|cby Jun Li.
250 |a1st ed. 2025.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2025.
300 |aV, 382 p. 325 illus., 281 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
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341 0 |bPDF/UA-1|2onix
341 0 |bTable of contents navigation|2onix
341 0 |bSingle logical reading order|2onix
341 0 |bShort alternative textual descriptions|2onix
341 0 |bUse of color is not sole means of conveying information|2onix
341 0 |bUse of high contrast between text and background color|2onix
341 0 |bNext / Previous structural navigation|2onix
341 0 |bAll non-decorative content supports reading without sight|2onix
347 |atext file|bPDF|2rda
505 0 |aChapter 1. From Assisi Florence to Sultaniyeh -- Chapter 2. Graphics as Knowledge: A Transcultural Journey of Tour Maps of China -- Chapter 3. The Secret of the Worm and Silk -- Chapter 4. Visual Psalms: A New Exploration into the Relations between Poetry and Painting Concerning Chuan Qiaozhongchang’s “Later Fu on Red Cliff” -- Chapter 5. Style and Character: Transformation of Early Architectural Design and Theory by Liang Sicheng and Lin Huiyin -- Chapter 6. Architecture and Poetry: The Historical Opportunity for the Emergence of Lin Huiyin's Structural Rationalism -- Chapter 7. Comments of Shen Congwen on Four Paintings in Relation to Wang Dewei’s “Visibility” -- Chapter 8. Shen Congwen’s Visual Turn: An Intermedial Study -- Chapter 9. Another form of the Silk Road -- Chapter 10. Exploring the Visible Transcultural History of Art.
520 |aThis book unfolds the artistic and cultural exchanges between China, Persia, and Italy, picturing “a Transcultural Renaissance on the Silk Road” with fascinating reading of rich images. The author has been intensely engaged in the transcultural art history for more than a decade, spanning east and west, crossing different fields of painting, architecture, philosophy, cartography and literature. With illuminating case studies, it also explores the intermedial play between painting and poetry, poetry and architecture and visual art and literature. The book proposes "another form of history of art ": history of art is a theoretical history that interprets works of art; yet it is also a "visible history of art" that exists in the form of exhibitions.
532 8 |aAccessibility summary: This PDF has been created in accordance with the PDF/UA-1 standard to enhance accessibility, including screen reader support, described non-text content (images, graphs), bookmarks for easy navigation, keyboard-friendly links and forms and searchable, selectable text. We recognize the importance of accessibility, and we welcome queries about accessibility for any of our products. If you have a question or an access need, please get in touch with us at accessibilitysupport@springernature.com. Please note that a more accessible version of this eBook is available as ePub.
532 8 |aNo reading system accessibility options actively disabled
532 8 |aPublisher contact for further accessibility information: accessibilitysupport@springernature.com
650 0|aArt|xHistory.
650 0|aReligion and culture.
650 0|aArchitecture|xHistory.
650 14|aArt History.
650 24|aCross-cultural Studies.
650 24|aArchitectural History and Theory.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789819645800
776 08|iPrinted edition:|z9789819645824
776 08|iPrinted edition:|z9789819645831
856 40|uhttps://doi.org/10.1007/978-981-96-4581-7
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)